![\"DSCF1190\"](\"http:\/\/blogeri.gelender.hr\/pos\/files\/2013\/09\/DSCF1190.jpg\")
<\/a><\/p>\nU temi:<\/p>\n
Gorguts “Colored Sands” – Luc Lemay je opet razbudio metal svijet, a pogotovo death metal scenu!<\/p>\n
Dio recenzije sa Pitchforka:<\/p>\n
“Like any respected underground band staging a comeback, Gorguts<\/a> have a lot to live up to. In order to understand why expectations are unusually high for Colored Sands– the first new LP since 2001 from this Quebec death-metal institution– you have to look back to 1998’s Obscura, one of the most pungently progressive albums ever made, in or out of metal. Obscura didn’t just register as technical; it sounded downright excruciating, as if its shuddering blastbeats, doleful bellows, and deliriously inventive guitarwork were being torn straight from the chests of its makers.<\/em><\/p>\n But as brilliant as Obscura was, and as wide as its influence has spread– it holds a hallowed place not just among discerning death-metalheads<\/a>, but in open-eared jazz circles<\/a> as well– it wasn’t exactly a definitive Gorguts release. The band made their name playing in a very different style. Their first two LPs, 1991’s Considered Dead and 1993’s The Erosion of Sanity, demonstrated impressive tightness and a flair for involved composition, but they were very much of their time– unrelentingly intense dispatches descended from the bulging-vein aggression of 80s thrash. Conceived as early as 93, but not issued until 98, Obscura shocked longtime listeners, who couldn’t believe the madness the band’s lengthy gestation had birthed.”<\/em><\/p>\n Intervju:<\/p>\n